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Harper Hale

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Sarah Ferguson is once again at the centre of public attention as questions grow over where she will live next and how she plans to rebuild her life after a fresh wave of royal fallout. Reports say the former Duchess of York has been weighing her options overseas while the deadline to leave Royal Lodge approaches, with sources suggesting she is looking for a way to move forward independently and away from the constant pressure surrounding her royal connections.

For Ferguson, the issue is no longer only about a change of address. It has become a much larger question about reputation, income, public standing and whether she can find a stable role outside the royal orbit. After decades of dramatic headlines, attempted reinventions and public comebacks, she now appears to be facing one of the most difficult resets of her life.

The situation has become even more complicated after the latest Epstein-related revelations triggered renewed scrutiny of her past associations. In February, BBC and CNN reported that six companies linked to Ferguson were being dissolved, a development that followed fresh attention on her connection to Jeffrey Epstein and the wider damage to her public image.

That timing has made the story especially damaging. At a moment when Ferguson might have hoped to present herself as independent, resilient and commercially active, the focus has instead shifted back to controversy. Questions about her business interests, charitable work and future living arrangements have all come together at once, creating a sense that the former royal figure is entering a far more uncertain phase.

For many years, Ferguson managed to maintain a complicated but visible public profile. She was often portrayed as one of the more accessible and emotionally open figures connected to the royal family, someone who had survived scandal before and still found ways to remain in the public eye. That reputation for resilience helped her return repeatedly after difficult periods.

But this latest chapter feels different. The pressure is not just personal but reputational. Charities, commercial partners and media opportunities are often sensitive to public perception, and Ferguson’s name is now once again being discussed in connection with stories that many institutions would rather avoid. Even if she is not accused of wrongdoing in the latest coverage, the association alone has become a serious obstacle.

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Albanese takes a risky gamble on housing as he breaks election promise

Anthony Albanese has sparked a fresh political backlash after moving to overhaul Australia’s housing tax settings, in a step that appears to cut across a promise Labor made during the election campaign. The Prime Minister is now arguing that the shift is necessary to give younger Australians a fairer shot at owning a home.

The plan centres on changes to long-standing tax breaks that have helped shape Australia’s property market for decades. That includes the politically sensitive debate over capital gains tax and negative gearing, two issues that have become lightning rods in the fight over housing affordability. For Albanese, the pitch is simple: the system has tilted too far in favour of investors, and first-home buyers have been left behind.

But the timing could hardly be more dangerous. Housing remains one of the most emotionally charged issues in the country, with soaring prices and rental stress already putting pressure on households. Any move that looks like a broken promise is bound to trigger fierce criticism, especially when it touches such a sensitive part of the economy.

Albanese has framed the changes as a matter of fairness, insisting young Australians deserve a “fair crack” at home ownership. That message may play well with voters who feel shut out of the market, but it also opens him up to accusations that he is rewriting the rules after winning office.

Opponents are already sharpening their attack, arguing that the government is trying to dress up a political retreat as a reform agenda. For them, this is not just about tax policy. It is about trust, credibility and whether the Prime Minister is prepared to walk away from a clear pre-election commitment when the pressure gets too high.

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A married couple, having lived together for several years, decided to escape their daily routine for a while. Their destination was Northern France, drawn by the rugged beauty of the coastline and the opportunity to take a flight over the famous point where the English Channel meets the North Sea. This trip promised them both relaxation and a touch of adventure.

On the morning of their departure, the sky was clear—crossed only faintly by clouds—and a gentle breeze drifted across the airfield. As they approached the small aircraft awaiting them, they paused for a moment to admire its elegant appearance. It looked almost brand-new, gleaming in the sunlight, with harmonious lines and a perfectly maintained cabin. No sooner had they stepped aboard than they were seized by an almost childlike excitement—as if they had entered another world.

Before takeoff, they took their time inspecting the aircraft. They examined the seats, touched the controls in the cockpit, and looked over the various instruments. Then, they checked the storage compartments and onboard equipment. The air inside the cabin was slightly cool, carrying the distinct scent of metal and fuel. They exchanged smiles, imagining the day ahead—one to be spent in the skies, far removed from the noise and obligations of everyday life.

In a corner of the cockpit, they finally noticed an old navigation device. It looked quite dated, with worn buttons and a slightly scratched screen. Out of curiosity, they decided to switch it on—and, to their surprise, it still worked. Gradually, a map appeared on the screen. Immediately, one detail caught their eye: an isolated point, devoid of any labels or explanations.

They exchanged amused glances. This mysterious spot instantly piqued their curiosity. A glitch? A trace left behind by a previous pilot? Or perhaps something even more intriguing? After a brief moment of deliberation, they decided to simply follow the clue. The weather was calm, they had plenty of time—and they liked the idea.

The aircraft lifted smoothly from the runway and climbed high above the coastline. The sea stretched out beneath them like a vast, shimmering expanse. Every now and then, cargo ships or ferries would flit past in the distance. They reveled in the flight, gazing out at the horizon and admiring the scenery. They chatted and laughed, or sometimes simply fell silent, mesmerized by the view from the sky. The atmosphere was peaceful and pleasant.

After some time, they approached the point marked on their map. The light began to shift subtly, and the colors of the sea grew increasingly vivid. Glancing down, they suddenly noticed something strange: standing on a small, isolated patch of land was an old stone house.

They descended slightly to get a better look at the structure. It appeared abandoned—weathered by wind and salt—with absolutely no signs of life around it. Then they realized that the mysterious point likely referred to this forgotten spot—perhaps an old fisherman’s hut, an old lookout post, or a long-deserted home.

In the end, the situation made them laugh. It wasn’t the grand mystery they had anticipated, but it possessed a charm of its own. They shared a few jokes about their impromptu “treasure hunt” and continued their flight, having disturbed no one.

Finally, they resumed their journey, allowing the little house to slowly recede behind them. Their voyage continued—even more tranquil than before—with the certainty that this unexpected discovery would remain one of the most memorable moments of their trip.

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Senator Wong (South Australia — Minister for Foreign Affairs and Leader of the Government in the Senate): By leave — Senator Hanson speaks of division, yet it is she who sows division. Senator Hanson speaks of respect, yet it is she who sows disrespect. Senator Hanson, I listened closely to your remarks, and I would like to say this to you: you are not obliged to agree with the tradition of acknowledging Indigenous ownership of the land. I do not agree with you—and I think the majority in this chamber do not agree with you—but you are not obliged to agree with it. However, it is part of the rituals and traditions of this chamber, and, as a Senator, I believe you ought to respect that. I believe you ought to respect that.

I also listened to the speech that was just delivered, and I must say I was very pleased by the presence of the Leader of the Opposition, Ms. Ley, at the Welcome to Country ceremony at the opening of Parliament, and by her expression of respect and appreciation for the warm welcome extended by Auntie Violet. Ms. Ley said the following:

May this set the tone as we reaffirm our commitment to taking practical measures to improve the lives and opportunities of Indigenous Australians in every corner of our great country.

I hope that the Opposition will reflect upon the words of their leader regarding the Welcome to Country.

Much has been said about what this chamber—this House—represents. It is a home for all Australians. That is true. And it is a home that embodies our history and our multicultural diversity, as well as the history of Australia’s Indigenous peoples and Torres Strait Islanders—the oldest history in the world. I would conclude with this: decency and respect cost us nothing, yet they contribute immeasurably to strengthening our sense of unity. And if you wish to see what nobility and respect look like, perhaps you might recall the words of Senator McCarthy, spoken just a few minutes ago. I do not intend to grant permission for further statements, given their volume…

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Under pressure to demonstrate leadership and composure following weeks of panic buying, Albanese will seize upon the global oil crisis to advance his vision for reforming Australia’s economic model by subsidizing critical industries and traditional manufacturers.

Albanese is set to pledge his most ambitious budget yet, linking his manufacturing development agenda to social cohesion and “progressive patriotism,” while also opening the door to potential government investment in oil refineries and measures to boost the country’s low fuel reserves.

Although the Prime Minister’s address to the Press Club had been scheduled weeks in advance, he opted this week to use a national address to speak directly to voters about the war—adopting a somber tone that marked a significant shift from the more optimistic statements made earlier in the week.

“The months ahead may be difficult. I want to be upfront about that,” Albanese declared in a three-and-a-half-minute address broadcast at 7:00 PM on Wednesday. It was the first national address since Scott Morrison’s statement regarding the pandemic on March 12, 2020—just days before the commencement of a nationwide lockdown.

Emphasizing that Australia was not actively involved in the war—following weeks of mounting frustration directed at the Trump administration—Albanese stated that Australians should “go about their business and live their normal lives” during the Easter holidays.

Премьер-министр Энтони Альбанезе в своем официальном обращении к нации о последствиях войны против Ирана.

 

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Prime Minister Anthony Albanese has ruled out applying a gas export tax to existing contracts despite overwhelming public support, as pressure for a fairer return from Australia’s gas exports continues to build ahead of the budget.

Prime Minister Anthony Albanese has ruled out applying a gas export tax to existing contracts as new Australia Institute polling shows overwhelming support for a levy.

In a speech to the Chamber of Minerals and Energy of Western Australia (the lobby group representing major mining and energy companies), the PM said it was the “worst possible time” to jeopardise key trading partners.

“Our gas exports are directly linked to our national fuel security,” he said.

“This is why I can confirm that the budget will not undermine existing contracts on gas exports.”

His remarks come just a week after a Senate inquiry scrutinised how Australia taxes gas exports, with the Australia Institute warning the delay is costing Australia roughly $350 million dollars each week in foregone revenue.

“In making this decision, the Prime Minister has simply chosen to delay the inevitable,” said Dr Richard Denniss, co-CEO of The Australia Institute.

“The Prime Minister’s decision to kick the can down the road might feel politically easy right now, but it is going to come at an enormous cost to both the budget and the Australian voters’ faith in their government.”

The PM’s choice of words sparked speculation that a levy could still be imposed on new gas contracts and the spot market in next month’s budget.

“This fight is far from over. Public pressure for a gas export tax is growing by the hour, and the Prime Minister knows it, so he’s keeping the door open ahead of the budget,” said the Senate inquiry’s committee Chair, Greens Senator, Steph Hodgins-May.

The Conservation Council of WA (CCWA) said it would be an “insult to all Australians” amid a cost-of-living crisis if the Albanese government opted for the status quo.

“We’re hoping the Prime Minister is listening to the Australian people and that he’ll take steps to get a fair deal from multinational gas giants, considering the groundswell of Australians from across the political spectrum who are calling for this tax as a bare minimum,” said CCWA Executive Director Matt Roberts.

New polling by the Australia Institute shows seven in ten voters nationwide agree gas export companies should pay a 25 per cent gas export tax, including four in five Labor voters.

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Former Ukrainian parliament member and billionaire Rinat Akhmetov has become the owner of a luxury apartment in Monaco, paying a record $554 million for it.

Oxu.Az reports that Bloomberg reported this, citing documents confirming the transaction, including extracts from the local real estate registry.

The agency notes that Akhmetov’s purchase is among the largest real estate transactions in history. According to the documents, the luxury property will be transferred to the Ukrainian businessman in 2024.

The apartment is located in the prestigious Le Renzo residential complex, occupies five floors with a total area of ​​2,500 square meters and includes 21 rooms. It features a private pool, a jacuzzi, several balconies, and terraces overlooking the Mediterranean Sea.

The purchase price also includes eight parking spaces. Rinat Akhmetov is considered the richest citizen of Ukraine. In March, he joined the Forbes list of dollar billionaires with a net worth of $7.8 billion.

In addition to Akhmetov, the list includes businessman Viktor Pinchuk ($2.8 billion), co-founder of the fintech company Revolut Vlad Yatsenko ($2.2 billion), former Ukrainian President Petro Poroshenko with a net worth of $1.5 billion, founder of the agricultural holding Kernel Andriy Verevskyi ($1.2 billion), and Vadym Novinsky and Konstantin Zhevago, who left Ukraine. According to Forbes, the net worth of most of them has decreased over the past year.

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Small holes, dents, and cracks in plasterboard walls are inevitable in any home, whether caused by a doorknob, a moved piece of furniture, or the simple settling of the house over time. Engaging a plasterer for minor repairs is rarely necessary; with a few basic tools and the right materials, you can restore the wall to a flawless finish over a weekend. The approach depends on the size and type of damage, so start with a thorough inspection. A simple dent or popped nail might only need a skim of filler, while a hole larger than a few centimetres will require a patch. Run your hand over the surrounding wall to feel for any raised edges, and use a utility knife to trim away loose paper and crumbled gypsum until you have a clean, slightly recessed surface. Vacuum the area and wipe with a lightly damp cloth to remove dust, which would otherwise prevent the filler from adhering.

For small dings, nail pops, and hairline cracks, a pre-mixed, lightweight joint compound is your best friend. Scoop a small amount onto a 150-millimetre plasterer’s knife and press it firmly into the recess, smoothing it in one direction to leave the compound slightly proud of the surface. The filling will shrink as it dries, so a second or even third skim is often necessary to achieve a perfectly flat plane. Allow each layer to dry completely – typically a few hours in a heated interior, more in damp weather – before sanding with a 120-grit sanding sponge. Use a handheld work light held at a shallow angle to the wall; shadows instantly reveal imperfections invisible in perpendicular light. Patience at this stage saves the frustration of seeing a crater show through fresh paint.

Medium-sized holes, up to about 50 millimetres in diameter, call for a mesh patch or a self-adhesive fibreglass tape. After cleaning the hole, peel and stick the patch over it, then apply joint compound in thin, feathering coats that extend at least 100 millimetres beyond the patch on all sides. Feathering means gradually thinning the compound as you move away from the centre, blending the repair seamlessly into the surrounding wall. Use a wide 250-millimetre trowel or knife for the final coat, holding it at a shallow angle to avoid digging into the compound. Between coats, resist the temptation to overwork the surface; minor ridges will sand flat, but persistent trowel marks become permanent. Let the final coat dry overnight, then sand with a fine 180-grit paper wrapped around a sanding block to maintain a flat plane.

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Floating shelves vanish visually, drawing the eye straight to the objects they display, yet they pack serious utility in a home where floor space is at a premium. Unlike traditional brackets, floating shelves use concealed internal rods or a cleat system to anchor securely to the wall, creating the illusion that the shelf hovers unsupported. This makes them ideal for displaying ceramics, books, or small potted succulents in hallways, above desks, or in awkward alcoves that otherwise gather dust. The project requires careful planning and accurate drilling, but a confident DIYer can install a set of three shelves in a weekend. Begin by deciding on the configuration: measure the wall space, consider the shelf depth relative to the items you will place, and use masking tape to map out the proposed positions on the wall. Stand back and assess the layout from different angles, adjusting until the spacing feels balanced both horizontally and vertically.

Material choice influences both aesthetics and load-bearing capacity. Prefabricated floating shelf kits from hardware stores often come with a metal bracket that bolts to the wall and a hollow shelf that slides over it. These are convenient and generally support up to 15 kilograms per shelf if fixed into studs. For a more custom look, solid timber slabs – Victorian ash, blackbutt, or reclaimed messmate – can be drilled to accept heavy-duty floating shelf rods. These rods, essentially steel pins up to 12 millimetres in diameter, are anchored into the wall studs and project outward into blind holes in the shelf, requiring precise drilling. Whichever system you choose, locating wall studs with an electronic stud finder is non-negotiable; mounting into plasterboard alone with toggle anchors might hold a few photos but risks catastrophic failure under the weight of books or heavy ceramics.

Marking and drilling are the most anxiety-inducing steps, but a methodical approach eliminates errors. Hold a piece of shelf material against the wall in the marked position and use a spirit level to draw a horizontal line that defines the top edge. For bracket systems, the manufacturer’s template is invaluable; tape it to the wall, align it with your reference line, and punch the screw points with a nail to guide the drill bit. Drill pilot holes with a timber bit slightly smaller than the screw shank if going into studs, or use a masonry bit with wall plugs if you must anchor into brick or concrete. When drilling into tiles, apply a strip of masking tape to prevent the bit from skating, and use a diamond-tipped tile bit without hammer action until you clear the tile layer. Insert the brackets or rods, checking for level at every step, and tighten all fixings firmly but without overdriving and stripping the stud.

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Macrame, the art of knotting cord into decorative patterns, has surged back into Australian homes as a way to display trailing plants, save precious shelf space, and add a warm, textural element to interiors. A simple plant hanger is the perfect beginner project because it teaches the few fundamental knots that form the basis of countless designs. To start, you will need approximately 30 metres of 4mm cotton macrame cord, a 50mm wooden or brass ring, a pair of sharp scissors, and a measuring tape. Cotton cord is ideal: it knots reliably, has a soft matte finish, and feels gentle on your hands through the hours of work. Choose a natural cream hue for an earthy look, or a dyed cord in mustard, ochre, or dusty blue to match your interior palette. Working on a flat surface or hanging the ring from a hook at a comfortable height will save your shoulders and keep the tension consistent.

Begin by cutting eight lengths of cord, each about 4 metres long – generous excess is better than running short. Fold each length in half and attach it to the wooden ring using a lark’s head knot: fold the midpoint behind the ring, pull the ends through the loop, and tighten. This will give you 16 working strands hanging down from the ring. Group them into four sections of four strands each. The square knot, the workhorse of macrame, is formed by taking the left outer strand, crossing it over the two middle filler cords and under the right outer strand, then taking the right outer strand under the fillers and up through the left loop. Tighten the knot, then repeat the process starting from the right to complete one full square knot. Practise a string of square knots until your hands find a rhythm; the tension should be firm but not so tight that the cord buckles or distorts.

The hanger’s body is built with a series of alternating square knots that create a net-like cradle for the pot. From the ring, leave a 20-centimetre space of untied cord to form a graceful hanging loop, then tie three square knots down the first group, five down the second, and so on, keeping the counts consistent. After the first set, skip the first two strands of the next group, take the next four strands, and tie a square knot roughly 10 centimetres below the previous row. This staggered spacing produces the classic open diamond pattern. Continue this alternating pattern around the circumference for at least three or four rows, periodically holding the work up against a pot of your chosen size to check the fit. The cord will stretch slightly over time, so aim for a snug rather than baggy cradle.

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